Many students often ask “How to do a film critique essay?” A critique essay is not a combination of facts; it should not be built on a retelling. The question of describing the storyline of the analyzed work, in particular, of motion pictures, is one of the controversial ones. You cannot retell the plot of the film under review, but it is necessary to say about its content in general terms. One of the key components of the film review structure is the author's assessment. It is a text that is created by the author based on his or her own value orientations. The structural elements of a film critique essay are:

  • movie information;
  • the analysis of the artistic and technical performance of the film;
  • reasoned assessment of the author of the essay based on the analysis;
  • impact on the decision of the reader to watch or not to watch the movie (opinion about the film).

How to Write a Good Critique

In order to know how to write a good film critique correctly, it is necessary to understand that in the structure of the paper it is possible to select such elements that have all the signs of fact. That is, they give answers to such questions as “Who?”, “What?”, “Where?”, “When?” However, behind them are not real personalities, events, and stories, but fictional plots created by the screenwriter and director.

There are two constant components of film critics: informational and illustrative ones. The allocation of precisely these components is based on the dominant functions of the critical analysis, information, and evaluation. Making an aesthetic and ethical assessment of the work, the author must present to the audience not only a picture of the world of the director but also his or her own position. However, viewers and filmmakers should know what the opinion of one or another author is based on. With clearly defined criteria, you can always defend your idea.

How to Critique a Film

How to critique a film properly? An ordinary viewer is often inclined to focus his or her attention on the so-called plotline of the film (event, actions, storylines). The same information can be transmitted not only through cinema (for example, through a printed text). The specificity of aesthetic information is that it is very closely connected with the graphic-expressive means of films (light, colors, music, and so on). This side of the movie eludes from the majority of viewers. The task of professional criticism is to convey the essence of these aesthetic features and the way in which they affect the transmission of the semantic (plot) information to the audience.

The Essence of the Critical Analysis

The reaction to the film can manifest itself in two ways. In the first case, we talk about the impulsive assessment of the picture, which is based on the values, tastes, traditions of the viewer. While in the second case, agreement or disagreement, a positive or negative assessment is the result of mental operations and analytical work. Evaluation of the film, in this case, is mediated by the movie itself; this is the focus on the content of the picture. The point is that in both cases, the assessment may be identical, but it will be made for completely different reasons. Professional criticism must rely on facts and their analysis, and not on emotional evaluation.

Awakening the right emotions, influencing the thoughts of readers, the analysis of the movie forms the skills of perception of art and activates the creative potential of the individual. Therefore, writing highly professional critical essays is not only interesting creative work but an educational activity too.